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Can I Have This Dance?
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Vous avez sélectionné:
Can I Have This Dance?
Partitions à imprimer
75 partitions trouvées
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Could I Have This Dance
Could I Have This Dance
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Anne Murray
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Timothy Stapay
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Could I Have This Dance
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1241593 By Anne Murray. By Bob House and Wayland Holyfield. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwr...
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Piano Solo - Level 4 - SKU: A0.1241593 By Anne Murray. By Bob House and Wayland Holyfield. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #836965. Published by Timothy Stapay (A0.1241593). A traditionl Country-Style arrangement of Could I Have This Dance; from the movie Urban Cowboy. Could I Have This Dance is a song recorded by the Canadian country music artist Anne Murray. It was used in the 1980 film Urban Cowboy and appeared on both the Urban Cowboy soundtrack album for that film, as well as on the Anne Murray's Greatest Hits compilation album, issued in late 1980. Later on, it also appeared on Murray's 2007 album Anne Murray Duets: Friends & Legends, performed as a duet with Amy Grant.As a single, it was released in August 1980 and became Murray's fifth number one country hit as a solo artist. It went to number one for one week and spent a total of ten weeks on the country chart. Could I Have This Dance was also Murray's tenth Top 40 on the U.S. pop singles chart, peaking at number 33. The song was written by Wayland Holyfield and Bob House.Lyrics:I'll always remember the song they were playin'The first time we danced and I knewAs we swayed to the music and held to each otherI fell in love with youCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?I'll always remember that magic momentWhen I held you close to meAs we moved together, I knew foreverYou're all I'll ever needCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?Could I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?
$6.99 ≈
6.52€
PAPA'S FAMOUS DANCES PART 2
PAPA'S FAMOUS DANCES PART 2
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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the vocalist/bassist I
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99 ≈
9.32€
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
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String Play for All
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5 Spirituals and Dances from &
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String Play for All
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SheetMusicPlus
Small Ensemble Violin - SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #...
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Small Ensemble Violin - SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #6096717. Published by String Play for All (A0.859957). The five spirituals and dances are arrangements for multi-level violin ensemble of five movements from Samuel Coleridge-Taylor’s 24 Negro Melodies for solo piano. The five movements included are Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each movement contains a brief description as well as illustration. The violin parts include Advanced Violin, Violin I, Violin II, Violin Book 1, and Twinkle Violin. Since note reading and ensemble playing pose additional challenges, I have made the Twinkle Violin part quite basic, with an emphasis on open strings and basic rhythmic patterns. The Violin Book 1 part is more challenging, designed for players who have finished or about to finish Suzuki Violin School, Book 1. The Advanced Violin part occasionally extends to fifth position, while the Violin I part remains mainly in first Position, with only and occasional use of third position. Violin II remains in first position. The Advanced Violin part is optional. It may be omitted, replace the Violin I part, or both Advanced Violin and Violin I parts may be used, depending on the needs and level of your group. 6 of each part have been included. The entire suite totals 12 ½ minutes.
$16.50 ≈
15.39€
Three Latin Dances - Score Only
Three Latin Dances - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Latin/Musique du monde
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Jeff Tyzik
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Jeff Tyzik
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Three Latin Dances - Score Onl
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Jeff Tyzik/Macaroni Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #68...
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Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019.
$50.00 ≈
46.65€
Diasporic Dances
Diasporic Dances
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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AVANCÉ
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Patrick Prejean
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Diasporic Dances
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Patrick Prejean
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patric...
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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patrick Prejean #906523. Published by Patrick Prejean (A0.1317853). These dances where written at the request of the executive director of CityMusic Cleveland. They are based and inspired by North and Sub-Saharan African Dances in addition to a reimagining of fairy tales. There are 8 movements making this the biggest project I've ever composed. This quintet may also be performed as a String Orchestra ensemble. I - There is a story about a man named Alexander Dynis (Deniz) who is believed to have ended up in Ruthenia (modern day Ukraine) as a PoW when the Ottomans invaded the Polish-Lithuanian Commonwealth. Not much is known about his early life but we do know is that eventually afterwards he was granted the position of Starosta (town mayor/landlord) of Kozieglowy (Poland) by the Bishop of Krakow. He is the only Black starosta that we know of to this day. His story is interesting and is the basis of this movement and was inspired by the soundtrack of a game called Hellish Quart. II - This movement is a dance of ritual which emphasizes the different pitch intonations of the human voices hence the dissonant harmonies. Imagine walking through the savannah and hearing these voices but you are unsure of their intentions. This dance is heavy and percussive. III - This movement is of a young woman who is kidnapped by the Vikings and dreams of escaping captivity. IV - There are 3 distinct motives for this movement which combine to create a battle - like scene, those being the 6 quarter note triplets, the rhythmic motive, and the driving 16th notes. V - I wanted to create the sounding of the natural horns of the Ancient and Classical Eras and to combine them with a retelling of the Little Red Riding Hood. Her journey begins upon hearing these horns and prompted to ride out to begin her quest.VI/VII/VIII - These movements where edited from my Death Waltzes for the Living. There are hidden titles for number 6 and 7: Loss of Mind and Hospital. These waltzes are a reimagining of Cinderella's life but instead of her story playing out as we know it, she suffers a psychotic break and is transported into our world and rushed to the hospital. The final movement concludes the piece with a Dance of Death. I have had many close encounters with permanent oblivion and the result of this is what I call Hitchcock Horror harmonic language. These encounters supplimented with the dreams of the unconscious realm create an uneasy dance that ends almost as abruptly as they begin.
$100.00 ≈
93.30€
Marais: Cinq Danses Français Anciennes (Five Old French Dances) I. L'Agréable - oboe/piano
Marais: Cinq Danses Français Anciennes (Five Old French Dances) I. L'Agréable - oboe/piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Marin Marais
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Ray Thompson
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Marais: Cinq Danses Fran&ccedi
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RayThompsonMusic
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.1199685 Composed by Marin Marais. Arranged by Ray Thompson. Baroque. Score and part. 6 pages. RayThompsonMusic #798688. P...
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Oboe,Piano - Level 2 - SKU: A0.1199685 Composed by Marin Marais. Arranged by Ray Thompson. Baroque. Score and part. 6 pages. RayThompsonMusic #798688. Published by RayThompsonMusic (A0.1199685). Cinq Danses Français Anciennes (Five Old French Dances)I.L'Agréable (Rondeau)Arranged oboe and piano.In the same key as the originalMarin Marais (1656 – 1728) was a French composer and viol player at the royal court of Versailles. His most famous works are his five books of Pièces de Viole, from which these pieces are taken.The Five Old French Dances were first presented as a single edition in the early twentieth century, arranged for viola and piano by Maud E Aldis and Louis T Rowe.This is my arrangement of No.1.I have also arranged the suite for wind quintet, and each dance features one member of the quintetThe pieces in the set are as follows You can view them here: Marais Wind QuintetsL'Agréable - oboeLa Provençale - flute La Musette - bassoonLa Matelotte - clarinetLe Basque - horn.
$4.99 ≈
4.66€
I Have Dreamed
I Have Dreamed
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Oscar Hammerstein and Richard
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Douglas R
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I Have Dreamed
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Douglas R. Morrison
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1416852 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Douglas R. Morrison. Broadway,Film/TV,Musica...
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String Orchestra - Level 3 - SKU: A0.1416852 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Douglas R. Morrison. Broadway,Film/TV,Musical/Show,Pop. 19 pages. Douglas R. Morrison #998446. Published by Douglas R. Morrison (A0.1416852). A Rivendell String Orchestra Arrangement - The Pop Standards SeriesWhile the fourth musical collaboration of Richard Rodgers and Oscar Hammerstein II, The King and I (1951) has many wonderful numbers, one lyrical ballad stands out: I Have Dreamed. This beautiful melody was also prominently featured in Aaron Sorkin's 1995 film The American President during the State Dinner scene when widowed President Andrew Shepherd (Michael Douglas) dances with lobbyist Sydney Ellen Wade (Annette Bening). A truely magical film moment![The audio sample begins at Letter B, measure 21]Like us on Facebook: www.facebook.com/rivendellarrangements.
$49.99 ≈
46.64€
I Have Dreamed
I Have Dreamed
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Oscar Hammerstein and Richard
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Douglas R
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I Have Dreamed
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Douglas R. Morrison
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1412468 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Douglas R. M...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1412468 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Douglas R. Morrison. Broadway,Musical/Show,Pop,Standards. 15 pages. Douglas R. Morrison #994548. Published by Douglas R. Morrison (A0.1412468). A Rivendell String Quartet Arrangement - The Pop Standards SeriesWhile the fourth musical collaboration of Richard Rodgers and Oscar Hammerstein II, The King and I (1951) featured many wonderful numbers, one lyrical ballad stands out: I Have Dreamed. This beautiful melody was also prominently featured in Aaron Sorkin's 1995 file The American President during the State Dinner scene when widowed President Andrew Shepherd (Michael Douglas) dances with lobbyist Sydney Ellen Wade (Annette Bening). A magical film moment!This well-known song is a great choice for weddings, receptions, and anniversaries.[The audio sample begins at Letter B, measure 21]Like us on Facebook: www.facebook.com/rivendellarrangements.
$12.99 ≈
12.12€
Candle In The Wind
Candle In The Wind
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Elton John
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Kevin P
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Candle In The Wind
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Kevin P. Holtg
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.866022 By Elton John. By Bernie Taupin and Elton John. Arranged by Kevin P. Holt. Pop,Rock. Score. 4 pages. Kevin P. Holt...
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Piano Solo - Level 4 - SKU: A0.866022 By Elton John. By Bernie Taupin and Elton John. Arranged by Kevin P. Holt. Pop,Rock. Score. 4 pages. Kevin P. Holtg #5359797. Published by Kevin P. Holtg (A0.866022). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 5 – 6, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.This version took inspiration from Elton's 1997 version. I've tried to capture the essence of Elton's rhythmic playing and also written out the solo at the end of each chorus. The small note heads throughout indicate any place Elton is accompanying himself or just filling in.I'm pleased with the result and for anyone that has played my arrangements of Your Song and Tiny Dancer I think you will find this an equally nice addition to your library. Dynamic and phrasing are left to the performers discretion but have added a few to get you started. Have Fun.
$4.99 ≈
4.66€
I Like It
I Like It
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Cardi B With Bad Bunny & J Bal
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Sarah Cellobat Chaffee
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I Like It
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1125692 By Cardi B With Bad Bunny & J Balvin. By Manny Rodriguez and Tony Pabon. Arranged by Sarah Ce...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1125692 By Cardi B With Bad Bunny & J Balvin. By Manny Rodriguez and Tony Pabon. Arranged by Sarah Cellobat Chaffee. Contemporary,Hip-Hop,Latin,Multicultural,Pop,R & B,World. 13 pages. Sarah Cellobat Chaffee #726427. Published by Sarah Cellobat Chaffee (A0.1125692). I Like It was released in 2018 as a single from Cardi B's debut studio album. Featuring guest artists Bad Bunny and J Balvin, this Latin trap/hip-hop song features catchy hooks and a danceable beat that quickly captured the attention of audiences worldwide -- it ended up topping the Billboard charts in nine countries and has since been streamed over a billion times. So you can't go wrong having this one in your gig books! Originally written for a quinceañera, this Cellobat arrangement for violin & cello duet will be a ton of fun to play -- both parts have an array of melodies, harmonies, and rhythmic grooves, for a truly all-inclusive fiesta of a chart! Rated advanced-intermediate mainly for some tricky rhythms; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99 ≈
9.32€
Ignatius Sancho - Twelve Country Dances
Ignatius Sancho - Twelve Country Dances
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Ignatius Sancho
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Christopher Bell
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Ignatius Sancho - Twelve Count
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Silent Home Records
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.812456 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score and parts. 29 pages. ...
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String Ensemble - Level 3 - SKU: A0.812456 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score and parts. 29 pages. Silent Home Records #5954127. Published by Silent Home Records (A0.812456). Don't let the harpsichord players have all the fun. Party like it's 1779! Ignatius Sancho's Twelve Country Dances. The dances range from level 1 to level 4. Are they gentile courtly dances? Or are they barn-burning fiddle tunes? That's up to you. It's about 10-15 straight through, but if the crowds getting down, you can stretch it out to a 30+ minute set of ballroom bliss.All his greatest hits are hereLady Montagus ReelCutford Heath CampRuffs and RheesBushy ParkLord Delkeiths ReelLindrindod Lasses (what a racy number!)Trip to DilingtonStrawberrys and CreamAll of One MindThe Royal Bishop (this padre knew how to party)Dutchess of Devonshires ReelMungos Delight (I'm sure it was #1 on the charts)
$11.99 ≈
11.19€
Ignatius Sancho - Twelve Country Dances
Ignatius Sancho - Twelve Country Dances
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Ignatius Sancho
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Christopher Bell
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Ignatius Sancho - Twelve Count
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Silent Home Records
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SheetMusicPlus
String Ensemble - Level 4 - SKU: A0.812454 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score and parts. 29 pages. ...
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String Ensemble - Level 4 - SKU: A0.812454 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score and parts. 29 pages. Silent Home Records #5954115. Published by Silent Home Records (A0.812454). Don't let the harpsichord players have all the fun. Party like it's 1779! Ignatius Sancho's Twelve Country Dances. The dances range from level 1 to level 4. Are they gentile courtly dances? Or are they barn-burning fiddle tunes? That's up to you. It's about 10-15 straight through, but if the crowds getting down, you can stretch it out to a 30+ minute set of ballroom bliss. All his greatest hits are hereLady Montagus ReelCutford Heath CampRuffs and RheesBushy ParkLord Delkeiths ReelLindrindod Lasses (what a racy number!)Trip to DilingtonStrawberrys and CreamAll of One MindThe Royal Bishop (this padre knew how to party)Dutchess of Devonshires ReelMungos Delight (I'm sure it was #1 on the charts)
$11.99 ≈
11.19€
Ignatius Sancho - Twelve Country Dances
Ignatius Sancho - Twelve Country Dances
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Ignatius Sancho
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Christopher Bell
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Ignatius Sancho - Twelve Count
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Silent Home Records
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Mandolin - Level 3 - SKU: A0.812450 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical...
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Instrumental Duet Double Bass,Instrumental Duet,Mandolin - Level 3 - SKU: A0.812450 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score and parts. 37 pages. Silent Home Records #5954003. Published by Silent Home Records (A0.812450). This is a mandolin part and tab with a score and option bass part included. Both parts include chords on all songs.Don't let the harpsichord players have all the fun. Party like it's 1779! Ignatius Sancho's Twelve Country Dances. Both parts are a solid level 3, if not 4. Are they gentile courtly dances? Or are they barn-burning fiddle tunes? That's up to you.It's about 10-15 straight through, but if the crowds getting down, you can stretch it out to a 30+ minute set of ballroom bliss. All his greatest hits are hereLady Montagus ReelCutford Heath CampRuffs and RheesBushy ParkLord Delkeiths ReelLindrindod Lasses (what a racy number!)Trip to DilingtonStrawberrys and CreamAll of One MindThe Royal Bishop (this padre knew how to party)Dutchess of Devonshires ReelMungos Delight (I'm sure it was #1 on the charts)
$11.99 ≈
11.19€
Ignatius Sancho - Twelve Country Dances
Ignatius Sancho - Twelve Country Dances
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Guitare, Violon, Violoncelle (trio)
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INTERMÉDIAIRE
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Ignatius Sancho
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Christopher Bell
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Ignatius Sancho - Twelve Count
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Silent Home Records
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SheetMusicPlus
Small Ensemble Cello,Guitar,Violin - Level 3 - SKU: A0.812451 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score an...
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Small Ensemble Cello,Guitar,Violin - Level 3 - SKU: A0.812451 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score and parts. 16 pages. Silent Home Records #5953145. Published by Silent Home Records (A0.812451). Don't let the harpsichord players have all the fun. Party like it's 1779! Ignatius Sancho's Twelve Country Dances. Both parts are a solid level 3, if not 4. Are they gentile courtly dances? Or are they barn-burning fiddle tunes? That's up to you. It's about 10-15 straight through, but if the crowds getting down, you can stretch it out to a 30+ minute set of ballroom bliss. All his greatest hits are hereLady Montagus ReelCutford Heath CampRuffs and RheesBushy ParkLord Delkeiths ReelLindrindod Lasses (what a racy number!)Trip to DilingtonStrawberrys and CreamAll of One MindThe Royal Bishop (this padre knew how to party)Dutchess of Devonshires ReelMungos Delight (I'm sure it was #1 on the charts)
$11.99 ≈
11.19€
I'll Be
I'll Be
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Edwin McCain
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Sarah Cellobat Chaffee
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I'll Be
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 4 - SKU: A0.526374 By Edwin McCain. By Edwin McCain. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 13 pages. Sa...
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String Trio Cello,Violin - Level 4 - SKU: A0.526374 By Edwin McCain. By Edwin McCain. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 13 pages. Sarah Cellobat Chaffee #6621599. Published by Sarah Cellobat Chaffee (A0.526374). *INSTRUMENTATION: 2 VIOLINS & CELLO*I'll Be was Edwin McCain's first and only top 10 hit, reaching #5 on the Billboard charts, and it has been featured in popular culture everywhere from Dawson's Creek to The Office to Glee. Its lyrics and gentle swing feel have made it a popular wedding song -- in fact, this arrangement was originally commissioned for a wedding ceremony! This Cellobat chart for your two-violin and cello trio maintains the slow-danceable rhythmic feel, beautiful harmonies, and sweeping melodic lines of the original, for an arrangement your audience will love and you'll love playing (especially since it's been transposed up to string-friendly C major rather than the original sharp-happy key of B!). Rated advanced-intermediate, mainly for some interesting rhythms due to the song alternating between a 3/4 and 6/8 feel. This will be learnable for students and sightreadable for professionals. Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$14.99 ≈
13.99€
Ignatius Sancho - Twelve Country Dances
Ignatius Sancho - Twelve Country Dances
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Ignatius Sancho
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Christopher Bell
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Ignatius Sancho - Twelve Count
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Silent Home Records
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Viola - Level 3 - SKU: A0.812453 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Tr...
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Instrumental Duet Double Bass,Instrumental Duet,Viola - Level 3 - SKU: A0.812453 Composed by Ignatius Sancho. Arranged by Christopher Bell. Classical,Traditional. Score and parts. 29 pages. Silent Home Records #5954117. Published by Silent Home Records (A0.812453). Don't let the harpsichord players have all the fun. Party like it's 1779! Ignatius Sancho's Twelve Country Dances. The dances range from level 1 to level 4. Are they gentile courtly dances? Or are they barn-burning fiddle tunes? That's up to you. It's about 10-15 straight through, but if the crowds getting down, you can stretch it out to a 30+ minute set of ballroom bliss.All his greatest hits are hereLady Montagus ReelCutford Heath CampRuffs and RheesBushy ParkLord Delkeiths ReelLindrindod Lasses (what a racy number!)Trip to DilingtonStrawberrys and CreamAll of One MindThe Royal Bishop (this padre knew how to party)Dutchess of Devonshires ReelMungos Delight (I'm sure it was #1 on the charts)
$11.99 ≈
11.19€
Tchaikovsky: Waltz from "Sleeping Beauty" for Woodwind Quintet
Tchaikovsky: Waltz from "Sleeping Beauty" for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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P
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Darrell Goforth
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Tchaikovsky: Waltz from "Sleep
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Darrell Goforth
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SheetMusicPlus
Composed by P. I. Tchaikovsky. Arranged by Darrell Goforth. Romantic Period, Repertoire, Christmas, Wedding. Score, Set of Parts. 27 pages. Publishe...
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Composed by P. I. Tchaikovsky. Arranged by Darrell Goforth. Romantic Period, Repertoire, Christmas, Wedding. Score, Set of Parts. 27 pages. Published by Darrell Goforth
This is an arrangement of the famous Waltz from Tchaikovsky's "Sleeping Beauty Ballet". I have taken it from the original orchestral score using the original key. At 3 minutes and 28 seconds, it is a somewhat abbreviated version. I have left out some of the repetitions in the original ballet. Without dancers to watch, the piece can be a little tedious. This piece would be ideal in any situation where a little light music is required, possibly even Christmas or a wedding.
$19.99 ≈
18.65€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
27.99€
Patios de Córdoba
Patios de Córdoba
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por Bulerías) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetas”. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña” that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito” introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother” of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99 ≈
3.72€
LILLY'S DANCE (THE TUMBLER)
LILLY'S DANCE (THE TUMBLER)
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876447 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99 ≈
4.66€
MY SWEET LYDIA
MY SWEET LYDIA
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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MY SWEET LYDIA
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876449 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
4.66€
MARY ~ ELAINE
MARY ~ ELAINE
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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MARY ~ ELAINE
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876448 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876448 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 23 pages. JoeCopio Music LLC #53327. Published by JoeCopio Music LLC (A0.876448). MARY ~ ELAINE Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MARY ~ ELAINE is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MARY ~ ELAINE makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MARY ~ ELAINE has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MARY ~ ELAINE includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
4.66€
JOEY'S READY
JOEY'S READY
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Saxophone Tenor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Procopio
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JOEY'S READY
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JoeCopio Music LLC
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876451 Composed by Joe Proco...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876451 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 28 pages. JoeCopio Music LLC #53333. Published by JoeCopio Music LLC (A0.876451). JOEY’S READY Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio JOEY’S READY is a dance written and arranged by Joe Procopio for a small ensemble, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of JOEY’S READY makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, JOEY’S READY has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 2 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for JOEY’S READY includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99 ≈
4.66€
The Journey of Squanto
The Journey of Squanto
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Orchestre d'harmonie
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AVANCÉ
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Wesley Besancon
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Wesley Besancon
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The Journey of Squanto
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultura...
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Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultural,Patriotic,World. Score and parts. 111 pages. Wesley Besancon #783697. Published by Wesley Besancon (A0.1183999). Have you ever wondered who was credited for setting up the first Thanksgiving? Or who braught peace to the tension between Natives and English? Squanto is credited for doing both of these things. One of the first recoreded Native Americans, Squanto lived from 1585 to 1622. He was part of the Patuxet tribe, and taught settlers how to satisfy basic needs. And as far as the eye can see, there is no band music dedicated for him. So I have made a piece showing what may have happened when the settlers came. While not completly accurate, It is a great representation (and honor to Squanto) for your next concert!. The piece begins on a nice warm day, in a playful, dancelike movement, this quickly turns to anger as they see a bird that is not able to be hunted. This confusion leads to the mysteriousness that was most likely happening upon the natives. They start to pray to their gods. All of a sudden, the ship lands and a war breaks out! But Squanto wants to embrace this new culture they have brought, which slowly calms the fighting down. Eventually, the English Culture (represented by Hot Cross Buns) is embraced in the polytonal ways (disagreement). The final part is a chorale representing peace.Errata: 107: Singing is stopped.
$40.99 ≈
38.24€
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
11.20€
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Can I Have This Dance?
